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THE MOMENT YOU’VE HAD ENOUGH

  • Writer: Vivia Barron
    Vivia Barron
  • Aug 13
  • 3 min read

Updated: Aug 24


There Comes a Point When You’re Just Done

Done lowering your price mid-sentence.

Done pretending it’s “fine” to work for free.

Done watching your work go to people who don’t value it.

That point is called enough.



How You Know You’re There

Enough doesn’t always arrive with fireworks. Sometimes it’s a slow burn — years of saying yes when you wanted to say no, taking offers you knew were too low, feeling your chest tighten every time you sent a price you didn’t believe in.

Other times, it’s a sharp moment that snaps you awake.


I’ve had both:

  • The quiet exhaustion that settles in after too many “opportunities” that cost more than they paid.

  • The lightning strike — the moment I knew that if I said yes one more time, I’d lose something in myself I couldn’t get back.

That’s what enough feels like: a breaking point that looks like clarity.



The Cost of Not Getting There

When you stay in the cycle of “just one more low-priced sale” or “just this one free event for exposure,” you’re not just giving away your work.

You’re teaching yourself — and everyone watching — that this is your value.

Collectors see it. Galleries see it. Other artists see it. And worst of all, you begin to see it. Every time you fold on your price, every time you swallow your truth for the sake of “opportunity,” your standard erodes.


The longer you stay there, the harder it becomes to climb out. Exceptions stack up until they become the rule. You wake up one day unable to even remember what your boundaries were in the first place.

That is the real cost of not hitting enough.


My Moment of Enough

For me, enough came when I got tired of watching other artists being used.

I watched them show up for free.

I watched them get “paid” in exposure so someone else could look good.

I watched them fill spaces so an organization could check a box.

And then I watched them walk out with the same art they carried in — their only “payment” the chance to pick it up later.


Exposure doesn’t buy paint. It doesn’t cover the rent. It doesn’t feed a family.

That’s when I drew my own line. My rule now is simple:

  • 10% exposure — selective, strategic, only if it aligns with my goals.

  • 10% community work — because giving back matters, but on my terms.

  • 80% getting paid — because my art is not a hobby, it’s a career.



What Happens After Enough

Enough is the line in the sand. Once you’ve drawn it, you can’t go back without feeling it in your gut.

It’s the moment you stop bending your prices to fit someone else’s comfort zone.It’s the moment you stop chasing validation from people who were never going to buy anyway.It’s the moment you start protecting your time, your energy, and your work with the same care you protect your art supplies.


Enough is where the shift happens. You stop negotiating from desperation and start standing in your worth. You stop being a background prop in someone else’s show and start being the main stage of your own career.



Why This Matters for Your Price

Standing in your price isn’t arrogance. It’s alignment.

Your price is not just numbers — it’s your time, your skill, your materials, your story, your lived experience. When you charge in alignment, you stop flinching when you say it. You stop rushing to justify. You stop waiting for approval.


You deliver it as calmly as you’d quote the cost of a gallon of paint.

That’s when you cross into the next stage: owning your price without apology, no matter who’s on the other side of the conversation.



Enough Is the Turning Point

Enough is not the end. It’s the beginning.

It’s the turning point that separates artists who keep circling the same unpaid “opportunities” from those who finally build careers rooted in dignity, sales, and sustainability.

After enough comes the real work: standing in your price, saying no with confidence, and building a career that pays you back for the energy you pour into it.

And here’s the truth: if you’re ready to draw your own line in the sand, you don’t have to do it blindly.


Enough is the line in the sand. After that comes the real work — standing in your price without apology.


👉 My next blog is The Artist Pricing Toolkit — a breakdown of how to back up your enough with real numbers. Drop your email and I’ll send you the alert the moment it drops


Until next time, stay real. — Vivia



 
 
 

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